This past Sunday I helped through a drime (essentially a wordless drama set to music that uses dance and action to tell a story) to help a youth group understand human trafficking as part of a presentation by Generation 4 Justice. I wanted to run through my thoughts and the experience of what that looks like for me and what it looked like creating it to hopefully inspire readers to go and create their own and tell the story of human trafficking in your schools, churches, and communities because awareness on a heart level is the first step to changing anything and a drime is a very effective, inexpensive way to have an audience connect on an emotional level with what speakers are talking about.
The process of creating the G4J drime was really quite simple. Nicole, who has helped me get a vision for how to plug in in the future as I talked about in the previous post, really was responsible for creating this drime. She came up with the concept of telling the stories of two girls, a first world girl with the standard set of problems and a trafficked girl. In the beginning Jesus creates each girl and gives her a heart that is free and good. Each girl had a demon working against her and controlling an evil man against her, destroying their hearts and bodies. Eventually Jesus breaks through and a Christian comes and helps set them free. Jesus gives each of them new hearts and restores them.
The whole idea behind this concept is to show the duality of the situations of both girls, the physical and spiritual forces at work in the world. It also shows the need for physical as well as emotional and spiritual healing for victims of trafficking and other struggles.
The actual movements and order were created as we started working with the concepts and the music track that Nicole cut together, in our case music from The Prince of Egypt animated film. The main thing with the music is to make sure it fits with the action, or visa versa in a way that really tells your story. The Lifehouse drama that has circulated the internet and been done many, many times is an example of taking a piece of already existing music and using it to tell a story, but I personally enjoyed having a more soundtrack based music without words this time. Just think about what you intend for the audience to experience and feel and create or pick a soundtrack that fits with the timing and emotion.
In our rehearsals (we only had 2 of them before the first time we performed the drime) we really organically and on the spot figured out what worked and what didn't. What looked good as well as was possible for us to do given our skill level and time crunch. We pulled from experts we knew, namely a dance expert to help make the movement more powerful and fluid.
Drimes can have props or go without. For this one we used chains, money, fruit, paper hearts, and some costumes for the demons. It was fairly inexpensive, with the most expensive thing being the chains and almost everything else just being props and costumes we had already. It doesn't require a big budget or production company to create a drime, just a dedicated team with a vision.
So as far as actually performing it and my experience, I played the part of a trafficker, which was interesting because I was playing the part of the type of person I loathe. I was being the very antithesis of what I believed and I had to create in myself a legitimate feeling of power and hate and cruelty in order to sell the part. I couldn't just go through the motions, I had to feel it when I took the food from the trafficked girl and hurled it to the ground, feel it when I beat her and shoved her to the ground...and honestly what I drew from was my hate of trafficking. I thought about how much I hated it and let those feelings or anger come in. Now, obviously I had control still, I wasn't going to really beat the girl or hurt anyone, but the emotion was very real and from people's comments it really came through. I know at the end of each performance after I've been cast down by Jesus and am lying unconscious or dead (up to interpretation) my heart is hammering so hard and I'm almost out of breath because I experienced the intensity on such a real level.
And I think that's really the heart behind the drime, creating something real that impacts you and so it impacts the audience. It isn't about manipulating them into feeling, it's about telling them the truth through the drime and experiencing that for yourself while showing them.
In the near future when I move to Illinois it's my vision to take this drime and the materials and things that I have learned through it to influence a whole new set of people to rise up and take a stand in Chicago, in St. Louis, and whatever other cities and towns they live in, and learn to recognize trafficking, document it, and be a part of breaking the chains of women, girls, and boys in brothels or slave labor in the US and to the ends of the earth, and also to be a part of the emotional healing that will need to take place in their lives for months and years after they have been freed.
And I hope not to do it by the power of Brian Elliott (that's almost a guaranteed fail) but in the power of the Holy Spirit by the will of the Father. Because I am small and what I can do to change peoples hearts and minds is limited and its effect will be limited, but what the Spirit can do is absolutely limitness and if my heart, soul, body, will, and actions will surrender to Jesus Christ and the Father then the impact I can be a part of having will be amazing.
As Paul wrote in 1 Corinthians 15:10 "I worked harder than all of them—yet not I, but the grace of God that was with me [was at work]."
The process of creating the G4J drime was really quite simple. Nicole, who has helped me get a vision for how to plug in in the future as I talked about in the previous post, really was responsible for creating this drime. She came up with the concept of telling the stories of two girls, a first world girl with the standard set of problems and a trafficked girl. In the beginning Jesus creates each girl and gives her a heart that is free and good. Each girl had a demon working against her and controlling an evil man against her, destroying their hearts and bodies. Eventually Jesus breaks through and a Christian comes and helps set them free. Jesus gives each of them new hearts and restores them.
The whole idea behind this concept is to show the duality of the situations of both girls, the physical and spiritual forces at work in the world. It also shows the need for physical as well as emotional and spiritual healing for victims of trafficking and other struggles.
The actual movements and order were created as we started working with the concepts and the music track that Nicole cut together, in our case music from The Prince of Egypt animated film. The main thing with the music is to make sure it fits with the action, or visa versa in a way that really tells your story. The Lifehouse drama that has circulated the internet and been done many, many times is an example of taking a piece of already existing music and using it to tell a story, but I personally enjoyed having a more soundtrack based music without words this time. Just think about what you intend for the audience to experience and feel and create or pick a soundtrack that fits with the timing and emotion.
In our rehearsals (we only had 2 of them before the first time we performed the drime) we really organically and on the spot figured out what worked and what didn't. What looked good as well as was possible for us to do given our skill level and time crunch. We pulled from experts we knew, namely a dance expert to help make the movement more powerful and fluid.
Drimes can have props or go without. For this one we used chains, money, fruit, paper hearts, and some costumes for the demons. It was fairly inexpensive, with the most expensive thing being the chains and almost everything else just being props and costumes we had already. It doesn't require a big budget or production company to create a drime, just a dedicated team with a vision.
So as far as actually performing it and my experience, I played the part of a trafficker, which was interesting because I was playing the part of the type of person I loathe. I was being the very antithesis of what I believed and I had to create in myself a legitimate feeling of power and hate and cruelty in order to sell the part. I couldn't just go through the motions, I had to feel it when I took the food from the trafficked girl and hurled it to the ground, feel it when I beat her and shoved her to the ground...and honestly what I drew from was my hate of trafficking. I thought about how much I hated it and let those feelings or anger come in. Now, obviously I had control still, I wasn't going to really beat the girl or hurt anyone, but the emotion was very real and from people's comments it really came through. I know at the end of each performance after I've been cast down by Jesus and am lying unconscious or dead (up to interpretation) my heart is hammering so hard and I'm almost out of breath because I experienced the intensity on such a real level.
And I think that's really the heart behind the drime, creating something real that impacts you and so it impacts the audience. It isn't about manipulating them into feeling, it's about telling them the truth through the drime and experiencing that for yourself while showing them.
In the near future when I move to Illinois it's my vision to take this drime and the materials and things that I have learned through it to influence a whole new set of people to rise up and take a stand in Chicago, in St. Louis, and whatever other cities and towns they live in, and learn to recognize trafficking, document it, and be a part of breaking the chains of women, girls, and boys in brothels or slave labor in the US and to the ends of the earth, and also to be a part of the emotional healing that will need to take place in their lives for months and years after they have been freed.
And I hope not to do it by the power of Brian Elliott (that's almost a guaranteed fail) but in the power of the Holy Spirit by the will of the Father. Because I am small and what I can do to change peoples hearts and minds is limited and its effect will be limited, but what the Spirit can do is absolutely limitness and if my heart, soul, body, will, and actions will surrender to Jesus Christ and the Father then the impact I can be a part of having will be amazing.
As Paul wrote in 1 Corinthians 15:10 "I worked harder than all of them—yet not I, but the grace of God that was with me [was at work]."

